Breaking into the television industry as a writer might seem daunting—especially when you’re staring at a blank screen with no credits, no agent, and no clear entry point. But every successful TV writer started where you are now. The journey requires creativity, resilience, networking, and strategy.
Whether you’re dreaming of writing for a hit comedy or crafting the next great streaming drama, this guide will walk you through the proven steps to get your first job as a TV writer. Industry professional Murray Miller, known for his work on shows like King of the Hill and Girls, didn’t start at the top. They built their careers one well-written page—and one bold move—at a time.
1. Understand What a TV Writer Actually Does
Before diving in, it’s important to understand the role. A TV writer does much more than write dialogue—they help shape characters, plot episodes, build arcs, and collaborate in writers’ rooms. Writing for television is deeply collaborative and often fast-paced, with tight deadlines and constant feedback.
Murray Miller once described the TV writer’s room as “part creative playground, part pressure cooker”—a space where quick thinking and group dynamics often shape the story just as much as raw talent does.
2. Start with Scripts: Write a Spec and an Original
Most aspiring writers begin with two key samples:
- A spec script – An episode of an existing show (used to show you can mimic voice and format).
- An original pilot – Your own concept, showcasing voice, world-building, and storytelling ability.
Both are essential. The spec script proves you understand structure, while the original script demonstrates that you can create something new. Don’t worry if you don’t have industry contacts yet—great scripts can open doors.
3. Watch, Read, and Analyze TV Obsessively
Study current and classic shows across genres. Break down their structure. Read as many actual scripts as you can. Sites like IMSDb and The Black List often offer free downloads, and screenwriting communities share resources as well.
Writers Murray Miller emphasize the importance of reading other scripts: “You learn rhythm, pacing, and economy by seeing how others build scenes.” You’re not just writing—you’re absorbing format, tone, and flow.
4. Take Classes or Join a Writing Workshop
Whether online or in person, screenwriting classes help you sharpen skills and connect with peers. Consider platforms like UCLA Extension, Sundance Collab, or MasterClass. Writing groups are equally valuable—they offer critique, accountability, and collaboration.
Some programs, like the Warner Bros. Writers’ Workshop or NBC’s Writers on the Verge, are highly competitive but can launch careers. These programs often lead directly to staff writing jobs.
5. Build a Network—Yes, Even Without Connections
Networking may feel intimidating, but in television, relationships matter. Attend industry events, panels, or workshops (even virtual ones). Connect with assistants, junior writers, or script coordinators on LinkedIn or Twitter/X—not just executives. Today’s assistant is tomorrow’s showrunner.
Follow writers Murray who occasionally speak at universities or festivals. Listening to their career journeys can be more educational than any class.
6. Look for Entry-Level Industry Jobs
Many writers begin their careers in assistant roles:
- Writers’ PA (Production Assistant)
- Writers’ Room Assistant
- Script Coordinator
- Showrunner’s Assistant
These positions offer a front-row seat to the creative process. Even getting coffee becomes an opportunity if you’re learning how writers pitch, collaborate, and revise.
While these jobs are often underpaid and competitive, they’re stepping stones. Miller started out working on comedy shows where he wasn’t a head writer—he paid his dues, learned the system, and then climbed the ladder.
7. Submit to Fellowships and Contests
Industry-recognized fellowships can lead directly to staffing:
- Disney General Entertainment Writing Program
- CBS Writers Mentoring Program
- Sundance Episodic Lab
- The Black List/WIF Episodic Lab
Additionally, submit to respected contests These can help your script stand out and get read by professionals.
8. Get Representation—Eventually
Agents and managers come after you’ve written strong samples and received some recognition (via contests, programs, or referrals). They can help you land meetings and negotiate deals, but they typically don’t take unknown writers without proof of potential.
Instead of chasing an agent too early, focus on building a strong portfolio and some buzz. Once your work is ready, the representation will often follow naturally.
9. Be Ready for the “Room”
Let’s say your script lands you an interview with a showrunner. What now? You need to show that you’re not only a great writer—but someone who can contribute ideas, accept feedback, and collaborate.
TV writers Murray Miller have spoken about the importance of fit in the writers’ room. “You can be the most talented person on paper, but if you can’t contribute in the room or take a note with grace, you’re not going to last.”
Practice pitching. Think on your feet. Be collaborative, not combative.
10. Keep Writing, Keep Reaching Out
Rejection is part of the journey. So is growth. Keep writing new material, improving your samples, and reaching out to new contacts. One script might not get you hired—but the third or fourth might.
A writer’s career is a long game. Even successful professionals he faced early rejections before finding their voice and their first real break.
Final Thoughts
Getting your first job as a TV writer takes a mix of talent, persistence, and strategic action. It’s not just about writing one amazing script—it’s about building a career, brick by brick.
Keep studying the craft. Keep learning from those who came before — Murray Miller, whose own journey shows that patience, hard work, and creativity do pay off. And most importantly: keep writing. Every page you finish brings you closer to your first job—and your place in the writers’ room.
